CATALOGUE OF THE EXHIBITION - ITEMS 222 TO 233
Titles with the mark
denote titles of the series while the mark
denotes the sub-title. Those titles without any mark are the additions of the compiler of the catalogue.
Exhibitors
IMAYO MITATE, SHI, NO, KO, SHŌ.
The Four Classes: Samurai, Farmers, Artisans and Merchants.
UWO-YEI NO MISE. Prints Store styled Uwo-Yei.
This is Toyokuni III.'s work showing a shop selling Hiroshige's Hundred Views of Yedo, and was put on view in the exhibition for the sake of reference. Sanmai-tsuzuki. Published by Uwo-yei.
This is Toyokuni III.'s work showing a shop selling Hiroshige's Hundred Views of Yedo, and was put on view in the exhibition for the sake of reference. Sanmai-tsuzuki. Published by Uwo-yei.
Mr. R. Hirakawa
SHOKOKU MEISHO. Views of Various
Provinces.
223.
FURIWAKE Ō-SUGOROKU. This is a large-sized print
named
Sugorokuused by children to play a game on by means of a dice.
Mr. M. Uchida
224.
PAPER-HANGER'S SHOP, drawn to order of the shopman
by Hiroshige and printed on tōshi (Chinese
paper). Oblong in size.
Mr. T. Hirose
AWA NO
NARUTO. Rapids at Naruto. Sanmai- tsuzuki.
Published by Tsutaya.
Mrs. Y. Yamamoto
BUYŌ
KANAZAWA HATSHŌ YAKEI Evening Scenes of Eight Views of Kanazawa. Sanmai-tsuzuki. Published by Tsutaya.
Mr. R. Ishii
KISOJI
NO SANSEN. Kiso Mountains in Snow. Sanmai-tsuzuki.
Published by Tsutaya in 1857.
These three form a set of Snow, Moon and Flowers, as the Naruto Passage with its swirling waves was called the
These three form a set of Snow, Moon and Flowers, as the Naruto Passage with its swirling waves was called the
Flowers of Naruto.They are Hiroshige's masterpieces in his declining years.
Do.
228.
TŌKAIDŌ HARIMAZE ZUYE. Mixed Prints of Tōkaidō.
12 sheets in a set. Published by Ibasen
().
Harimaze Zuye is more of designs than of mere representations of objects. Hiroshige's are especially skilfully rendered. On a plate of Ō-ban size, there are represented four or five prints of simple style showing a town, famous local products or sceneries, or subjects of some historical stories. This series consists of 12 sheets containing 55 prints. There are two other harimaze Tōkaidō of similar style. In the above series Nihonbashi is represented by fish, Shinagawa by women picking sea-weed and Kawasaki by peach blossoms.
Harimaze Zuye is more of designs than of mere representations of objects. Hiroshige's are especially skilfully rendered. On a plate of Ō-ban size, there are represented four or five prints of simple style showing a town, famous local products or sceneries, or subjects of some historical stories. This series consists of 12 sheets containing 55 prints. There are two other harimaze Tōkaidō of similar style. In the above series Nihonbashi is represented by fish, Shinagawa by women picking sea-weed and Kawasaki by peach blossoms.
Mr. T. Suzuki
229.
TŌKAIDŌ HARIMAZE ZUYE. Mixed Prints of Tōkaidō.
This is similar to No. 228 in style and consists of 14 sheets. In this series, Nihonbashi is represented by bronze works on Nihonbashi Bridge and Shinagawa by a woman holding a paper lantern. Published by Senichi ()
This is similar to No. 228 in style and consists of 14 sheets. In this series, Nihonbashi is represented by bronze works on Nihonbashi Bridge and Shinagawa by a woman holding a paper lantern. Published by Senichi ()
Mr. T. Suzuki
KUNIZUKUSHI
HARIMAZE ZUYE. Mixed Prints of Grand
Series of the Provinces.
This is similar to No. 228 in style and is complete in 18 sheets containing 68 prints. Two of the sheets are illustrated. (See Plate No. 80.) Published by Fujikei () in 1852.
This is similar to No. 228 in style and is complete in 18 sheets containing 68 prints. Two of the sheets are illustrated. (See Plate No. 80.) Published by Fujikei () in 1852.
Do.
TŌKAIDŌ GOJŪSAN-TSUGI HARIMAZE ZUYE. Mixed Prints
of the Fifty-Three Stations on the Tōkaidō.
This is similar to No. 228 in style and consists of 15 sheets containing 55 prints. Published by Yamaguchi () in 1856.
This is similar to No. 228 in style and consists of 15 sheets containing 55 prints. Published by Yamaguchi () in 1856.
Mr. M. Uchida
YEDO MEISHO HARIMAZE ZUYE. Mixed Prints of the
Views of Yedo.
This is similar to No. 228 in style and consists of 10 sheets. (See Two Illustrations, No. 231 Plate 80.) Published by Yamadaya () in 1857.
This is similar to No. 228 in style and consists of 10 sheets. (See Two Illustrations, No. 231 Plate 80.) Published by Yamadaya () in 1857.
ŌYAMA DŌCHŪ
HARIMAZE ZUYE. Mixed Prints of the
Highway leading to Mt. Ōyama Shrine.
This is similar to No. 228 in style and consists of three sheets.
This is similar to No. 228 in style and consists of three sheets.
232.
ŌMI HAKKEI.
Eight Views of Ōmi.
This contains the same eight views as No. 57. Ō-ban Yokoye. Those illustrated are
This contains the same eight views as No. 57. Ō-ban Yokoye. Those illustrated are
Pine tree at Karasakiand
Vesper Bells at the Mii Temple.Ō-ban Tateye. Published by Uwoyei in 1857.
Mr. H. Tsunajima
233.
FUJI SANJŪ ROKKEI. Thirty-Six Views of Mt. Fuji.
This series was censored in April, 1858 but was not put on sale until the following year, and then issued as his memorial prints. Ō-ban Tateye. Published by Tsutaya.
This series was censored in April, 1858 but was not put on sale until the following year, and then issued as his memorial prints. Ō-ban Tateye. Published by Tsutaya.
Mr. K. Hayashi
Tōto Ichikokubashi.
Tōto Sukiyagashi.
Tōto Ochanomizu.
Tōto Sumida Tsutsumi.
Zōshigawa Fujimijaya.
Kōnodai Tonegawa.
Musashi Tamagawa.
Musashi Hommoku no Hara.
Sagamigawa.
Hakone no Kosui.
Suruga Satta no Kaijo.
Tōkaidō Hidari Fuji.
Ise Futamiga Ura.
Shinano Shiojiri Tōge.
Kai Otsuki no Hara.
Shimōsa Kogane ga Hara.
Kazusa Kanōzan.
Sagami Shichiriga Hama. *
Tōto Sukiyagashi.
Tōto Ochanomizu.
Tōto Sumida Tsutsumi.
Zōshigawa Fujimijaya.
Kōnodai Tonegawa.
Musashi Tamagawa.
Musashi Hommoku no Hara.
Sagamigawa.
Hakone no Kosui.
Suruga Satta no Kaijo.
Tōkaidō Hidari Fuji.
Ise Futamiga Ura.
Shinano Shiojiri Tōge.
Kai Otsuki no Hara.
Shimōsa Kogane ga Hara.
Kazusa Kanōzan.
Sagami Shichiriga Hama. *
Tōto Surugachō.
Tōto Tsukuda Oki.
Tōto Ryōgoku.
Tōto Asukayama.
Tōto Meguro Yūhigaoka.
Musashi Koganei.
Musashi Koshigaya Zai.
Sōshū Miura no Kaijō.
Sagami Yenoshima Irikuchi.
Izu no Sanchū.
Suruga Miho no Matsubara.
Sunyen Ōigawa.
Shinshū Suwa no Mizuumi.
Kai Misaka Goye.
Kai Inume Tōge.
Kazusa Kuroto no Ura.
Bōshū Hota no Kaigan.
Musashi Noge Yokohama. *
Tōto Tsukuda Oki.
Tōto Ryōgoku.
Tōto Asukayama.
Tōto Meguro Yūhigaoka.
Musashi Koganei.
Musashi Koshigaya Zai.
Sōshū Miura no Kaijō.
Sagami Yenoshima Irikuchi.
Izu no Sanchū.
Suruga Miho no Matsubara.
Sunyen Ōigawa.
Shinshū Suwa no Mizuumi.
Kai Misaka Goye.
Kai Inume Tōge.
Kazusa Kuroto no Ura.
Bōshū Hota no Kaigan.
Musashi Noge Yokohama. *