CATALOGUE OF THE EXHIBITION - ITEMS 17 to 23
Titles with the mark 
denote titles of the series while the mark 
denotes the sub-title. Those titles without any mark are the additions of the compiler of the catalogue.
Exhibitors
TOTO MEISHO. Famous Views of the eastern capital (Yedo).
RYŌGOKU no YOIZUKI, Twilight Moon at Ryogoku Bridge. Ō-ban Yokoye.
Mr. T. Nakamura
DO.
TAKANAWA no MEIGETSU,
Full Moon at Takanawa. Ō-ban Yokoye.
These two prints which were issued by Kawaguchi-Shozo (
),
4-chome, Ginza, Yedo are each signed Ichi-yu-sai-Hiroshige
(
).
They show a very free and yet careful brush work. They are perhaps the author's first landscape paintings. From the tone and style, it appears that they were produced in the first year of Tempō (1830). The first prints have decorative borders (See Illustration). But these borders are omitted in later editions. These two and the following eight plates make a set.
Susaki-Yukino-Hatsuhi (Susaki, New Year's Sunrise after Snow).
Shibaura Shiohigari no Zu (Shell Gathering at Shibaura).
Shinyoshiwara Asazakura no Zu (Morning Cherries at Yoshiwara).
Gotenyama no Yūzakura (Twilight Cherries at Gotenyama).
Massaki Boshun no Kei (Late Spring at Massaki).
Sumidagawa Hazakura no Kei (Cherries in Leaf on the Banks of the Sumida).
Tsukudajima Hatsu Hototogisu (First Cuckoo of the Year at Tsukudajima).
Shinobugaoka-Hasuike no Zu (Lotus Pond at Shinobuga-oka).
These two prints which were issued by Kawaguchi-Shozo (
),
4-chome, Ginza, Yedo are each signed Ichi-yu-sai-Hiroshige
().
They show a very free and yet careful brush work. They are perhaps the author's first landscape paintings. From the tone and style, it appears that they were produced in the first year of Tempō (1830). The first prints have decorative borders (See Illustration). But these borders are omitted in later editions. These two and the following eight plates make a set.
Susaki-Yukino-Hatsuhi (Susaki, New Year's Sunrise after Snow).
Shibaura Shiohigari no Zu (Shell Gathering at Shibaura).
Shinyoshiwara Asazakura no Zu (Morning Cherries at Yoshiwara).
Gotenyama no Yūzakura (Twilight Cherries at Gotenyama).
Massaki Boshun no Kei (Late Spring at Massaki).
Sumidagawa Hazakura no Kei (Cherries in Leaf on the Banks of the Sumida).
Tsukudajima Hatsu Hototogisu (First Cuckoo of the Year at Tsukudajima).
Shinobugaoka-Hasuike no Zu (Lotus Pond at Shinobuga-oka).
Do.
19.
FUKAGAWA-SHINCHI, one of ten views of Yedo.
Chū-ban Tateye. Published by Eijudō.
Mr. H. Shugio
ŌMI HAKKEI
20.
YABASE no KIHAN. Boats sailing back in a row at Yabase,
Blue print in a circle with decorative border. Chū-ban.
Do.
TŌTO HAKKEI. Eight Views of the eastern
capital (Yedo). Yotsugiri Jigami gate (Folding fan shaped quarter
plates). 8 Sheets in a set. Published by Shimizu
(
).
).Mr. M. Uchida
ŌMI HAKKEI.
Eight Views of Ōmi. Yotsugiri Yokoye.
8 Sheets in a set. Published by Sen-Ichi
(
).
).Mr. M. Uchida
23.
YEDO JŪNIKEI. Twelve Views of Yedo.
Yotsugiri Yokoye. 12 Sheets in a set.
Nihonbashi Yukihare, Sunrise in Snow.
Gotenyama no Hana, Cherries.
Asukayama.
Sumidagawa, the Sumida.
Dōkanyama Shita, Foot of Dōkan Hill.
Susaki Shiohi, Shell Gathering al, Susaki.
Takanawa, Moon at Takanawa.
Tsukudajima. Incoming Boats at Tsukudajima.
Ryogokubashi Shita, Moon at Ryogoku.
Nakasu no Kei, View of Nakasu.
Uyeno Shinobazu, Shinobazu Pond, Uyeno.
Yoshiwara Tambo, Evening View of Rice Fields Near Yoshiwara.
Nihonbashi Yukihare, Sunrise in Snow.
Gotenyama no Hana, Cherries.
Asukayama.
Sumidagawa, the Sumida.
Dōkanyama Shita, Foot of Dōkan Hill.
Susaki Shiohi, Shell Gathering al, Susaki.
Takanawa, Moon at Takanawa.
Tsukudajima. Incoming Boats at Tsukudajima.
Ryogokubashi Shita, Moon at Ryogoku.
Nakasu no Kei, View of Nakasu.
Uyeno Shinobazu, Shinobazu Pond, Uyeno.
Yoshiwara Tambo, Evening View of Rice Fields Near Yoshiwara.
Mr. T. Suzuki
The above prints from No. 17 - No. 23 are Hiroshige's early landscape
prints signed
Ichiyusai-Hiroshigeinstead of
Ichiryusai-Hiroshigeproduced before 1832.