CATALOGUE OF THE EXHIBITION - ITEMS 234 TO 236
Titles with the mark denote titles of the series while the mark denotes the sub-title. Those titles without any mark are the additions of the compiler of the catalogue.

HIROSHIGE II'S WORKS.

Hiroshige II., family name Chimpei Suzuki () was originally called Shigenobu (). In January of the 6th year of Ansei, the year following the death of Hiroshige, he succeeded to his teacher's name. Shigenobu was the most distinguished of Hiroshige's pupils. His work began to be known from 1852. After calling himself Hiroshige II, he produced many landscape paintings. Those drawn not long after the death of his teacher so resemble the works by Hiroshige I done in his closing years that it is difficult at the first sight to distinguish one from the other.

 

 

 

Exhibitors

234.

SHOKOKU MEISHO HAKKEI. Hundred Views of the Various Provinces.
Just how many sheets of this set were published is not known. But it is surmised that those 80 sheets displayed in the exhibition are all that were published. 0-ban Tateye. Published by Uo-yei in 1859-61.

Kyoto Gion Sairei.

Kyoto Shijo Yusuzumi.

Yamashiro Otani Meganebashi.

 

Kyoto Tofukuji Tsuutenkyo.

Yamato Hasedera.

Yamato Yoshinoyama.

Senshu Ushitaki Tanfu.

Senshu Sakai Naniwaya no Matsu.

 

Sesshu Nanbabashi.

Osaka Tenpozan.

Sesshu Nunobiki no Taki.

Iga Hirakidoyama.

Ise Futamigaura.

Ise Miyakawa no Watashi.

Bishu Nagoya.

Owari Tsushima Sairei.

Enshu Akiba Enkei.

Sunshu Hara no Fukei.

Koshu Yatate Sugi.

Soshu Shichiriga Hama.

Zushu Hakone Gongen.

Toto Saruwakacho.

Toto Awoyama Hyakuninmachi.

 

Toto Takanawa Kaigan.

Bushu Yokohama Gankiro.

Bushu Yokohama Noge.

Musashi Chichi Sanchu.

Boshu Nokogiriyama.

Kazusa Kasamoridera.

Shimosa Naritasan.

Shimosa Funabashi Daijingu.

Shimosa Inbanuma.

Hitachi Tsukubasan.

Omi Togihari Toge.

Mino Ochiaibashi.

Hida Kagowatashi.

Shinshu Asamayama.

Shinshu Suwako Yatsume Unagi.

 

Shinshu Togakushiyama.

Shinshu Kiso no Yucca.

Shinto Zenkojimachi Kusuriyama.

 

Shinto Kikyo no Hara.

Joshu Ikawo Sarusawa.

Nikko Kirifuri no Taki.

Shimotsuke Chuzenjikosui.

Oshu Matsushima.

Oshu Soma Myoken Matsuri.

Oshu Sotogahama.

Dewa Chokaizan.

Wakasa Karei wo Seisu.

Echizen Mikuni no Ominato.

Kashu Kanazawa Daijoji.

Etchu Tateyama.

Echigo Niagara.

Sado Kaneyama.

Tango Amano Hashidate.

Tajima Taka no Hama.

Hoki Shimotani.

Unshu Hirose.

Oki Takibi no Yashiro.

Banshu Maiko no Hama.

Banshu Murotsu.

Banshu Himeji.

Bizen Tatsukuchi Yama.

Aki Miyajima.

Suo Iwakuni Kintaibashi

Kishu Data no Ura.

Kishu Kumano.

Awa Naruto.

Sanuki Kubotani no Hama.

Sanshu Gokenzan.

Iyo Okoshikamo Sakaami.

Buzen Kokuraryo Kaigan.

Bungo Hidakama Fuchi.

Nagasaki Maruyama.

Hizen Nagasaki Karafune.

Satshu Makurasaki.

Hizen Goto Kujiraryo no Zu.

Taishu Kaigan.

Hizen Nagasaki Meganebashi.

 

Mr. H. Tsunajima

 

 

 

 

 

TOTO MEISHO. Views of Yedo. Hiroshige II.

 

235.

TAKANAWA YOKEL Evening Scene of Takanawa. Blue Print. 0-ban Yokoye. Published by Sen-Ichi.

Dr. L. Reidhaar

 

 

DO.

 

236.

UYENO KIYOMIZUDO MANKA. Cherry Trees in Full Bloom by the Kiyomizu Temple, Uyeno. Blue Print.
This set contains seven other prints. O-ban Yokoye. Published by Sen-Ichi.

Do.

 

 

 

 

 

 

Besides those exhibited, there are the following principal prints:
Sumidagawa Hakkei (Eight Views at the Sumida) in a set issued in the first year of Bunkyu by the Hiranoya.
Yedo Zuye (Views of Yedo) in about 30 sheets issued in the same year by the Fujikei.
Toto Sanjurokkei (Thirty-Six Views of the Eastern Capital) in a set of 36 sheets, by the Aito the second year of the same era, (the above are all O-ban Tateye).
Yedo Meisho Shiju Hakkei (Forty-Eight Views of Yedo). Chu-ban Tateye in a set, by Tsutakichi.
Shokoku Rokuju-Hakkei (Sixty-Eight Views of the Various Provinces) Chu-ban Tateye in a set, by Tsutakichi ()